The Republic, Plato
Reviewed
by Patrick McEvoy-Halston
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Lie about
everything under the sun
May 2004
Poets are supposed to shine light on the actions of heroes
and gods, but since they work with “shadows” (i.e., images), they are
ill-prepared to do so. Because
they “work far away from truth in
doing [their] [. . .] work” (403), poets spread lies, not light,
and they lie about everything under the sun. About justice and men, they tell us “that many men are happy
though unjust” (189), an assertion Plato spends most of The Republic
trying to disprove. About gods and
heroes, they tell us these fundamentally good beings “beget evils,” a lie that
ensures that “everyone will find
an excuse for [themselves] [. . .] to be evil” (189).
But
poets would work little evil if most people recognized their mistruths and
deemed them ugly and repugnant.
However, Plato argues that most people are unaware that poets “neither
know nor have right opinion about what [they] [. . .] imitate” (402), and that
they therefore find poets’ fables beautiful and appealing. No one more so than the young, for they
have had little time to become acquainted with Beauty, and the “inferior part
of the[ir] soul[s],” the part which “hungers to be satisfied with tears and a
good hearty cry” and which poetry “feeds” (405), is not yet under the control
of the reasoning part. And once they
have “receive[d] the honeyed Muse,” they can “be sure that pleasure and pain
will be kings in their” (407) souls, for poetry works like a virus in that it
“destroy[s] the [soul’s] rational part” (405).
The plenitude of “unenlightened” and undisciplined people
explains why Plato is as concerned as he is about poetry’s ability to corrupt,
but he believes poetry can actually be used to help people “see” Justice. But in order to do so it must be
stripped of much of what makes it poetical—that is, of its “honey.” Poetry must be purged of its rhetorical
excess, which excites a soul that should be made temperate. It must also be limited to showing us
good people and good deeds, for we alter our natures in correspondence with
what we imitate. And the only people
who can be trusted with censorship that determines whether poetry undermines or
facilitates justice are those who truly have “seen the light”: the philosophers.
Work
Cited
Plato. Great Dialogues of Plato. Trans. W.H.D.
Rowe. New York: Signet, 1999.
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